The Null Device

Aren't you glad we live in a liberal democracy? The director of Australia's Office of Film and Literature Classification has revealed that there were no more than two complaints from filmgoers about the banned French film Baise-Moi, confirming that the unprecedented retroactive ban was a result of political pressure from busybodies in government and government-favoured lobby groups.

Isn't it about time someone sued the Liberal Party for misrepresentation and false advertising, because of their name. A party which stands for legislatively imposing a narrow set of moral values on everybody should not call itself "liberal".

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The laughing stock of the cultural world: After Howard's morality police banned Baise-Moi, various agencies, from Melbourne's Lumiere cinema and the film's distributor to the premier of New South Wales, have announced their intention to challenge the ban. However, as the ban was the result of a final appeal, there is believed to be no legal means for overturning it, unless they decide to take it to the High Court or something like that, so it's exceedingly unlikely that the film will be legally seen in Australia for the next few decades; or until its anachronisms and quaintly two-dimensional format makes it a harmless curiosity piece.

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Protecting Our Values: After pressure from the paternalist Liberal Government, Australia's film censors have banned Baise-Moi, overturning the R rating previously granted. More than 50,000 people have seen the film while it was legal; the ban is believed to be the work of a board stacked with religious conservatives and political appointees, and advice is being taken on how to challenge it.

(Wonder what they'll do next; how about bringing back the ban on the importation of electric guitars, just like in the hallowed Menzies Era, in case this rock'n'roll thing corrupts the morals of our youth.)

I saw Baise-Moi last week. I'm still not sure whether it's a work raising serious questions or an adolescent tantrum of sensationalist violence (more likely, it's somewhere in between; the question is whether the crux of its difference from all the by-the-numbers post-Tarantino films is in its message or in the fact that they have actual sex in it). I don't think it should be banned though.

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